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It can also record multiple exposures, if you so desire. There's a couple of entirely new features too the 5D Mark III becomes Canon's first SLR capable of in-camera High Dynamic Range shooting, in an unusually well-implemented and flexible fashion, and gets expanded autobracketing options too (up to 7 frames covering a vast +/- 8 EV range). What you don't get though, is the uncompressed output over HDMI seen in the latest Nikon models.
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The video output specifications are essentially unchanged in terms of resolution and framerate (1080p30 maximum), but Canon says the processing is improved to minimise moiré and other artefacts, and has included the higher quality All-I and IPB interframe compression options introduced with the EOS-1D X.
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There's a built-in headphone socket for audio monitoring, and rear control dial gains touch-sensitive 'buttons' that allow recording parameters (shutter speed, aperture, ISO and sound volume) to be changed silently.
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In terms of ergonomics, the camera gains the 7D's rear movie mode/live view switch, so you no longer have to compromise your stills Live View settings when setting up for video recording. Movie mode turned out to be the 5D Mark II's trump card over its rivals, and its successor naturally offers improved capability in this regard. And let's not forget that 61-point focus system from the 1DX - the first time Canon has put its top-spec AF sensor into a non-1-series camera since the film-era EOS 3.
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Viewfinder coverage is a full 100%, and the 1040k dot, 3:2 aspect ratio 3.2" LCD screen has improved anti-reflection properties and a hardened glass cover to protect against scratching. The shutter is rated to 150,000 cycles and has been refined for quieter operation the Mark III also inherits the 'silent' shutter mode previously seen on the 1D-series. An 8-channel sensor readout enables continuous shooting at 6 fps. The new sensor, coupled with Canon's latest DIGIC 5+ processor, offers a standard ISO range of 100 - 25,600 that's expandable to 50 - 102,800. Most of the key specs are substantially upgraded compared to the 5D Mark II.
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In a way it's better seen as a full-frame 7D, with that camera's control layout, extensive customizability and 63-zone metering sensor. Indeed the 5D name itself is almost misleading compared to its predecessor the Mark III is essentially a completely new model, with every major system upgraded and updated. But for those whose glasses tend more towards the half-full, it might just turn out to be the camera that 5D Mark II owners always really wanted.
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From the glass-half-empty point of view, this could be seen as an unambitious update that trails disappointingly behind Nikon's 36MP D800 which was announced around the same time. The 5D Mark III has a 22MP full frame sensor in a body that's based on the EOS 7D design, and with a 61-point AF system borrowed from the flagship EOS-1D X. On the face of it, though, the latest model offers little that looks likely to make the same impact.
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The 5D Mark II was the first SLR capable of recording full HD video, a feature that revolutionized the market in a fashion that no one could possibly have envisaged at the time - least of all Canon.
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The original EOS 5D of 2005 was the first 'affordable' full frame SLR, and the camera that cemented the 24x36mm sensor as the format of choice for many professional applications at a time when many were questioning its continued relevance. Up until now, the 5D series has been a dynasty of slightly unlikely revolutionaries. Now, 25 years later, the Canon EOS 5D Mark III is the latest model in the line.
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With its fully-electronic lens mount, in-lens aperture and focus motors, and reliance on electronic button and dial operation, Canon's EOS system established a blueprint that all successive camera systems have followed. It was the Japanese manufacturer's first 35mm autofocus SLR and the start of the EOS system. In 1987 Canon unveiled the EOS 650 to the world.
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